SYNTHESIS OF ARTS IN UKRAINIAN AND EUROPEAN BAROQUE AESTHETICS

AUTHOR: Olga SHIKIRINSKAYA

Danubius, XXXV - Supliment, Galaţi, 2017, pp. 141-150.

Abstract

The paper proposes an Integrated Model on Intercultural Axis of the Baroque Esthetics, based on the concept of Synthesis of Arts, which unites different art forms into artistic whole. It continues the scientific research achieved by publishing other studies and articles in some journals or proceedings of international or national conferences, which were devoted to intermediacy. The author proves that synthesis of arts in the Baroque era is a result of actualization of interspecific interaction of spatial and temporal kinds of arts, aimed at the intention to recover the elements of lost synthesis in dialectics of development of art as such. Its kinds were historically generated forms of art activity, that allowed the specific means of material embodiment (sound in music, word in literature, plastic and coloristic means in fine art, etc.) to represent artistic picture of life. The work can be useful to both theorists and practitioners in the field of Art, Cultural and Comparative Studies.

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